Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Johann Gottfried Auerbach
Portrait of Count Alois Thomas Raimund von Harrach, Viceroy of Naples

ID: 82200

Johann Gottfried Auerbach Portrait of Count Alois Thomas Raimund von Harrach, Viceroy of Naples
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Johann Gottfried Auerbach Portrait of Count Alois Thomas Raimund von Harrach, Viceroy of Naples


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Johann Gottfried Auerbach

Johann Gottfried Auerbach (October 28, 1697 -August 5, 1753), was an Austrian painter and etcher. Auerbach painted primarily portraits and battle genre works. Some of his works can be found at the Kunsthistorisches Museum.  Related Paintings of Johann Gottfried Auerbach :. | Portrait of the duchesse du Maine | St Jerome in Wilderness Cima da Conegliano | 1913 Staatsgalerie Moderner Kunst, Munich | Still-Life with Statuette and Shells | Portrait of Helena Fourment |
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Dutch Baroque Era Painter, ca.1585-1657
Andrea del Castagno
Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
Henry Walton
British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family






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